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Discography (1996-2013) allmusic.com. Embodying the rags-to-riches rap dream, Jay-Z pulled himself up by his bootstraps as a youth to eventually become the reigning rapper of New York City and, in turn, a major-label executive following his short-lived retirement from music-making. Blue Magic, an R&B vocal quintet whose members were Theodore Mills, Vernon Sawyer, Wendell Sawyer, Keith Beaton, and Richard Pratt, was formed in Philadelphia and signed to Atlantic Records in 1973. Find Blue Magic bio, music, credits, awards. From Out of the Blue. See Full Discography Related Artists. Associated with. The Delfonics.
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Deep-voiced Latimore’s sultry mid-’70s output for Miami’s Glades label was a steamy marriage of soul and blues.
Mixing Lou Rawls and Swamp Dogg in a soul-stud groove that climaxes on the fast side with his sympathetic impression of “a redneck in a soul band” and is softened on the slow side by a spirited but thoughtful rendition of “Ladies’ Man,” a song about not getting it up that’s probably the best thing [[Oscar Brown Jr]]. ever wrote.
While the deep-soul and Southern soul-flavored ballads and mid-tempo numbers are all superb, as a result, it is worth a spin for hardcore ’70s soul fans. Buju banton boom bye bye mp3 download.
This is a @320 vinyl rip of the original T.K. Records’ Subsidiary Glades LP including covers.
Tracks
A1 – Keep The Home Fire Burnin 3.35
A2 – Qualified Man 4.36
A3 – Are You Where You Wanna Be 4.15
A4 – There’s A Red Neck In The Band 4.45
B1 – Ladies Man 7.20
B2 – Leave Me Alone 3.45
B3 – Just One Step 2.45
B4 – She Don’t Ever Lose Her Groove 3.40
A1 – Keep The Home Fire Burnin 3.35
A2 – Qualified Man 4.36
A3 – Are You Where You Wanna Be 4.15
A4 – There’s A Red Neck In The Band 4.45
B1 – Ladies Man 7.20
B2 – Leave Me Alone 3.45
B3 – Just One Step 2.45
B4 – She Don’t Ever Lose Her Groove 3.40
Great stuff from Latimore possibly the king of the Miami soul scene of the 70s! The record’s got him moving away from the blusier sound of his earlier days in keeping with the direction he started on his second album and it’s got a lot of great electric piano riffing, plus guitar by Little Beaver. Features the nice cut “Keep the Home Fires Burnin” a message cut about how if you run around town using your “log” to start other fires, you won’t have anything left to burn when you get home! Other titles include “Qualified Man”, “Are You Where You Wanna Be”, and “She Don’t Ever Lose Her Groove”. (Dusty Groove)
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Born Benjamin Latimore, 7 September 1939, Charleston, Tennessee, USA. This singer, who performed under his surname only, brought a blues feeling to 70s soul music. His passionate vocal delivery and keyboard-dominated style was particularly popular with his female audience. Latimore sang gospel music as a child in his family’s Baptist church but did not sing professionally until his first year of college, where he worked with a group called the Hi-Toppers. The group had already recorded for Excello Records when Latimore took over the piano position; he never recorded with the group but remained with them until 1962. At that time he joined Joe Henderson’s revue as pianist, and with that group backed artists such as Ben E. King, Slim Harpo and Jimmy Reed in concert. Latimore left Henderson in 1964 and worked as an opening act for teen-idol Steve Alaimo. He also recorded some unsuccessful singles for the Dade label at this time, but finally achieved a hit in 1973 for the related Glades label, with a remake of T-Bone Walker’s “Stormy Monday”. The following year Latimore reached his commercial height with a number 1 R&B single, “Let’s Straighten It Out”. He charted with 13 singles in total for Glades during the 70s, reaching the R&B Top 10 twice more. In 1982, he switched to Malaco Records, for whom he continues to record, although quite infrequently.
Never released on CD. You can buy a vinyl copy here or here. Latimore still on tour, so check his Tour Schedule here.
Listen one of his greatest hits “Let’s Straighen It Out”
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Latimore – 1978 – Dig A Little Deeper
Since you ask for more Latimore’s albums, here’s one of his bestin the 70’s. From 1978 with the yearning ballad “Long distance love”, the smooth groove “Too hot to handle”, and the soul vocal funky groove “Out To Get Cha”. This one was recorded at Muscle Shoals, have some very nice moments, and the classic modern/southern sound that made Latimore so huge.
This is a @320 vinyl rip of the original Glades Records LP including covers.
Tracks
A1 Long Distance Love (3:48)
A2 Out To Get ‘Cha (5:38)
A3 We Got To Hit It Off (4:00)
A4 Ain’t Nothing Like A Sweet Woman’s Love (4:37)
B1 Too Hot To Handle (5:40)
B2 Dig A Little Deeper (5:40)
B3 Tonight’s The Night (6:16)
A1 Long Distance Love (3:48)
A2 Out To Get ‘Cha (5:38)
A3 We Got To Hit It Off (4:00)
A4 Ain’t Nothing Like A Sweet Woman’s Love (4:37)
B1 Too Hot To Handle (5:40)
B2 Dig A Little Deeper (5:40)
B3 Tonight’s The Night (6:16)
Dig a Little Deeper (Glades) In seven solid, funk-rooted tunes this obdurate soul holdout portrays, in order, a long-suffering on-the-road monogamist, a stud on the prowl, a reluctant lay (“We got to hit if off before we get it on,” he tells a “liberated woman”), a sentimental monogamist, a sex slave, a good lover (title tune), and a seducer of virgins (courtesy Rod Stewart). And convinces in all seven roles. Very impressive. But I don’t believe I’ll introduce him to my wife.
Buy your vinyl copy here .
Full biography – discography and chart positions here.
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Latimore – 1973 – Latimore
‘s first album and a classic bit of Miami soul! The record’s something of a groundbreaker as it mixes older southern soul with some bluesy inflections using small combo instrumentation and a warm sweet sound on production to create a new groove that pushed soul music a few steps farther into the future for the 70s, and which forever guaranteed a place for older blues artists who were willing to update their sound! The album includes ‘s classic version of “Stormy Monday”, done in a modern stepping groove that’s quite different than earlier versions – plus the tracks “(Be Yourself) Be Real”, “So Much Love”, “If You Were My Woman”, and a version of “For What It’s Worth” that begins with a very cool melodica groove!
This is a @240 vinyl rip of the original Glades records Lp including covers.
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Latimore – 1974 – More, More and More
Classic seventies material from , and still a very popular album in Chicago! Includes the massive long version of “Let’s Straighten it Out”, with the righteous extended Fender Rhodes solo really opens up the track, taking it way past a simple southern style, into a righteous trippy groove. Other tracks are great, too and titles include “Ain’t Nothin’ You Can Do”, “Put Pride Aside”, and “That’s How It Is”.
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This is a @320 vinyl rip of the original Glades Records Lp including covers